Let's take a grain of rice in a mouth and watch the rice grow with pleasant music. We learn about rice in a fun way. An animation of the process of eating rice (rice growing, rice planting, rice harvesting, rice cooking). The animation is based on the exciting music of the South Indian instrument Parai.

Ken Katakura (Naoto Takenaka) has worked as a salaryman for the past 25 years. He's on his way to Malaysia to stop his daughter's wedding. Unfortunately for Ken, the plane makes an emergency landing in a remote part of Malaysia, far from the capital city of Kuala Lumpur where he needs to go. With only 2 days left until his daughter marries, Ken looks for a way to get to Kuala Lumpur. Ken then comes across an odd Chinese truck driver named "Mary" and, with his help, sets out for Kuala Lumpur.

In June 1950, soon after the start of the Korean War, a troop of North Korean soldiers enter a small South Korean village. Captain Jeong-woong proclaims that they came to liberate the villagers but their true agenda is to ferret out the reactionaries. The villagers and Seol-hee, who is separated from her fiance on her wedding day, offer them heartfelt hospitality and cooperation to avoid falling out of the army's favor. Eventually friendships starts to build up between the soldiers and the villagers.

Tired of married life, the husband turns to his brother-in-law family who is staying at home an a long business trip. The husband, who only washed his fingers for no reason, attracts Casanova to encourage his brother-in-law's affair. In addition, he planned to lay down his brother-in-law's house as bait, but as things went wrong, his wife fell into Casanova's hands. The husband can't let go of his anger. When he confessed that to his sister-in-law and threatened to divorce, she said she would do anything for her good sister. The husband, who suddenly got a double income, slowly zips down, hiding his joy.

This is a 43 min video presentation, the text can be read here http://the-simulon.blogspot.ca/ the information concerns a very important global issue of today on the subject of techno-cybernetic control of governments and society that is responsible for a great number of technologically unrelated global issues such as global capitalism, social media, social control, global exploitation, the global elite, bio-power, trilateral and unilateral economic domination, civil war, war in the Middle East, colonization, the world economy, Third World exploitation, famine, environmental issues, the politics of race, gender, sexuality and mental illness. A subject that is rarely if ever discussed in a global context. It was derived from a transcript I wrote on Gilles Deleuze's 1990 'Postscript on the Societies of Control' inspired by Gary Hall, Clare Bichall and Peter Woodbridge's 2010 text and video 'Deleuze's Postscript on Societies of Control' published in Culture Machine. It includes as well a historical overview of the antipsychiatry movement in France which Felix Guattari participated during the 1960's and 1970's. Integrated into the theory, the presentation also shows an exact correlation of Norbert Wiener's principle thesis of Cybernetics with the Deleuzian-Guattarian concept of gaseous and fluidic forms and flows of corporate capital in today's society, the micropolitics of control, deterritorialized assemblages, and distributed networks such as the internet, Facebook, social community organizing in neocapitalist democracies, IBM agenda, global policing, military police, community organization, enforcement and manipulation by technological monitoring and scanning of public spaces and information privacy issues.Social democracy and corporate governance is theorized in a post-structuralist interpretation of emerging globalization issues and pinpoints some of the mechanisms involved suggesting that politicians and the corporate entities that run their embodied governments (including the monetary economic system) are manipulated by humans who in turn are being controled at a higher level by invisible technological processes of cybernetics. A generalized model of technological control and cybernetic government -- the cutting edge of contemporary 'conspiracy' and cultural theory. If you follow the discourse of Zizek, Noam Chomsky, Chris Hedges , the occupy movement, Jean Baudrillard, simulacra,transhumanism and The Matrix movies you will gain immense insight and a philosophico-scientific account of what has been going on in the world today and the world of tommarow.

Rice on White is a crass yet heartfelt romantic comedy with an un-PC take on how Asian-American men are perceived in today's dating scene. In the film, a group of disillusioned Asian guys try to master the art of seduction with results that are often hilarious, but sometimes unexpectedly sweet. Think of it as 'American Pie' meets 'Swingers' with an Asian twist...

A man and a woman find their orbits repeatedly colliding over the course of 12 years, four planets, three dimensions and one space cult.

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

Matti is 11 years old and dreams of a family vacation in his father’s native country, Finland. He manages to get what he wants by telling a whopping lie. But once they get there, Matti, his younger brother Sami and his parents find themselves without a place to stay, no money and no car in the middle of Finnish wilderness. Only a miracle can save them – or Uncle Jussi, who has been struggling to compete with Matti’s father his whole life. This movie based on Salah Naoura’s award-winning children book offers entertainment for people of all ages.

A young ranger in the Montana wilderness discovers the great forces of nature while learning the importance of honor, trust and integrity. Legendary veteran ranger Bill Bell educates the young man and guides him toward manhood. The year is 1919-a time when being a ranger meant more than operating expensive equipment. Forest fires were fought with guts and courage, not chemicals and airplanes. Bill Bell was the toughest ranger in an elite crew of very rugged men. A figure of heroic proportions, he was generally feared and respected by all. It was even rumored that he had at one time killed a sheep farmer, which only fueled his already enormous reputation. The young ranger does everything to remain in the good graces of Bill Bell, the senior ranger he idolizes. Their tentative rapport grows into a friendship through a hilarious and heroic rite of passage in which the younger ranger meets the test-and the woman of his dreams.